Step into a historic Parisian music store for an evening of songs and stories from Los Angeles-based Folk/Americana singer-songwriter Lucy Clearwater, with additional performances by Peter Deaves, Nico Franc, and more special guests.
Doors open 6:30pm, music begins at 7pm.
Tickets available online and cash is accepted at the door until we hit capacity.
Space is limited so be sure to reserve your spot.
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Lucy Clearwater is a Los Angeles–based folk/Americana singer-songwriter known for emotionally honest storytelling, wit, and warm acoustic arrangements. A 2024 Kerrville Folk Festival New Folk winner, she has toured across the U.S., Canada, the U.K., and Europe, and is often seen sharing stages alongside artists including John Craigie, Ocie Elliott, Victoria Canal, and Tyler Ballgame. Her debut album, "People ≠ Possessions", was produced by Grammy winner Tyler Chester and features contributions from Madison Cunningham, Sean Watkins (Nickel Creek), Kenneth Pattengale (The Milk Carton Kids), and more.
Peter Deaves is a folk singer from the Liverpool, now living in the forest near Paris. Glen Hansard said it best “now that’s hard earned voice!”
From deep folk songs reminiscent of Blaze Foley or Leonard Cohen when hearts gets broken; to rousing pub ballads when tables do.
Nico Franc is a Los Angeles–based singer-songwriter and producer making intimate records and sharing stories that invite people to slow down, pay closer attention—to themselves, to each other, and to the fleeting moments that give life its meaning. Raised on a small farm in Rhode Island, his work has led to sold-out performances at The Hotel Café, a marquee set at The Troubadour, ABC sync placements, and praise from longtime Apple Music editor Arjan Timmermans, who called his single Stuck "one of those rare finds that has pure, unbridled hit potential." He is currently finishing his debut full-length record, a collection of songs exploring presence, memory, imagination, and the moments that quietly shape who we become.
Doors open 6:30pm, music begins at 7pm.
Tickets available online and cash is accepted at the door until we hit capacity.
Space is limited so be sure to reserve your spot.
. . . . . . . . . . . . . . .
Lucy Clearwater is a Los Angeles–based folk/Americana singer-songwriter known for emotionally honest storytelling, wit, and warm acoustic arrangements. A 2024 Kerrville Folk Festival New Folk winner, she has toured across the U.S., Canada, the U.K., and Europe, and is often seen sharing stages alongside artists including John Craigie, Ocie Elliott, Victoria Canal, and Tyler Ballgame. Her debut album, "People ≠ Possessions", was produced by Grammy winner Tyler Chester and features contributions from Madison Cunningham, Sean Watkins (Nickel Creek), Kenneth Pattengale (The Milk Carton Kids), and more.
Peter Deaves is a folk singer from the Liverpool, now living in the forest near Paris. Glen Hansard said it best “now that’s hard earned voice!”
From deep folk songs reminiscent of Blaze Foley or Leonard Cohen when hearts gets broken; to rousing pub ballads when tables do.
Nico Franc is a Los Angeles–based singer-songwriter and producer making intimate records and sharing stories that invite people to slow down, pay closer attention—to themselves, to each other, and to the fleeting moments that give life its meaning. Raised on a small farm in Rhode Island, his work has led to sold-out performances at The Hotel Café, a marquee set at The Troubadour, ABC sync placements, and praise from longtime Apple Music editor Arjan Timmermans, who called his single Stuck "one of those rare finds that has pure, unbridled hit potential." He is currently finishing his debut full-length record, a collection of songs exploring presence, memory, imagination, and the moments that quietly shape who we become.
Ceol Agus Grá
Peter Deaves
From the banks of the River Mersey to the forest outside Paris, the atypical trajectory of Peter Deaves brings you Ceol Agus Grá (“Music and love in Gaelic), his first album. The singer-songwriter from Liverpool Read more
From the banks of the River Mersey to the forest outside Paris, the atypical trajectory of Peter Deaves brings you Ceol Agus Grá (“Music and love in Gaelic), his first album. The singer-songwriter from Liverpool celebrates “old forms of life” and the beauty of nostalgia illuminated by abundant live instrumentation (lapsteel, double bass, mandolins , banjos, flugelhorns, flutes, etc.) and the analog warmth of tube amps.
Close to the broad and deep tones of Townes Van Zandt and Ricky Nelson, the voice of Peter Deaves is a common thread of an album where shadows of the Beatles (“Nowhere Boy”), Leonard Cohen and Elliott Smith also creep in (“Quarter Past”). Hat-tips also to Johnny Cash (“The Long Green River”) and Neutral Milk Hotel and Radiohead in the brilliant Britpop compression of “Gasoline”, Blaze Foley’s longing fingerpicking (“Liverpool”) as well as the celebratory raucousness of the Pogues (Bury Me Under The Mersey”)
Sensitive and introspective, Ceol Agus Grá is an album of solemn beauty, as well as an intense celebration of life and love. It can have you crying into your beer at the bar, or dancing on the tables, or both.
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Heaven revisited 3:160:00/3:16
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Quarter past 3:250:00/3:25
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0:00/4:48
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Gasoline 4:130:00/4:13
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Liverpool 2:330:00/2:33
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Opening Night 5:380:00/5:38
“On the fringes of media time, fashions and incessant flows, Peter Deaves stands out with his admirable serenity.” - Francois Moreau
“'Ceol Agus Grá' named amongst Les Inrock's albums of the year” - Juliette Poulain
“He is a magnificent songwriter, an incredible singer and even an effective entertainer! He is capable of covering Townes Van Zandt and making your hair stand on end… So, this first album, Ceol Agus Grá (Le Poulpe/Kuroneko), is simply a marvel.” - Renaud Monfourny
“Deaves was recently invited on to the Saint George’s Hall stage in Liverpool by Glen Hansard to sing. That’s quite a homecoming. The stand out ‘Quarter Past’, is Deaves at his most interesting and intimate. When he writes less obviously about his roots, resists the alt rock… folk… indie influence from home and sings in that mellifluous voice: his songs hold their own in the world.” - Andy Davidson